This story, the first in a projected series of four novels collectively called The Goldfinder, is a well-crafted excursion into the world of magical realism. A surreal dreamscape that moves back and forth through time, identities and presumptions, the book is set in mid-19th century American West where everyone is infected, one way or another, with the4 often-fatal disease of gold fever.
Here’s how it’s supposed to go for popular Action fiction.
He’s a good-looking young stranger rides into town on a long-legged buckskin wearing tied-down guns and a flat-brimmed black hat. He’s good with a gun, in fact lightning fast, but he’d rather not find trouble. In fact, he’d like to settle down, maybe start a small ranch and maybe find a good woman who can handle a Winchester rifle as well as make good strong coffee. But trouble finds him real fast and right away he’s up against a whole bunch of bad guys who also have amongst them a really bad guy who’s also lightning fast. There’s gonna be a showdown. This is classic Louis L’Amour plotline (Kilkenny). If you study Lee Child’s Jack Reacher series, you see a not much different character, just super-sized and amped-up to the level of violence characteristic of modern Action/Adventure.
If I could keep my stories this straight and simple my writing work would be so much easier.
My character, Petr Valory (The Gold Hunter) is morally complex. He’s not afraid of anything, but he will avoid violence if possible because of moral radar that warns him if he’s too close to an action with karmic consequences. Because of flashes of insight gained inside the shining heart of the secret Gold Lake, he knows he has lived before and will live again. He knows if he harms anyone or kills someone there will be dire consequences in this life or in the next. Kilkenny and Jack Reacher do not have these moral restraints. What a pleasure it must be to write without restraint, to just blast bad guys!
Of course, there are two characters in my story who act without restraint: the Indian, Sabbah, who kills to revenge the murder of his son; and Dain King who believes he is a Viking returned to wreak havoc on the Indians and anyone else who gets in the way of his carving the gold-rich mountains of California into his warrior nation, called Gold Nation. I have painted Dain King purposefully horrible and murderous and without conscience for reasons not to be revealed until the last book of the four-book series called The Goldfinder.
Truth is, I don’t enjoy writing horribly immoral characters, the bad guys. I prefer good guys.
My good guys, the moral and restrained-by-love characters, are 17-year-old Petr Valory and his 8-year-old sister Annabel. They portray Love dealing against the dark doings of evil: Sabbah and Dain King. How does goodness survive against evil—without committing evil? That is the question I am hardwired to write about—and find very challenging to answer. Even if I try to not write about it, I still end up writing about it. How I sometimes wish I could write like Louis or Lee.
But I can’t. I must write like good old morally-complexed me. It’s hard. It’s really, really hard. Jack London tried it once in a novel called The Star Rover where his character is imprisoned in a straight-jacket, discovers he can escape into a past-life and leave the misery of the jacket behind. Very possibly few people will really understand what I am trying to get to: solid, moral meaning in a world rife with confusions of good and evil. My work has been called magical realism (BlueInk Review). I take that as an intended compliment. But for me, writing is metaphysically infused reality not commonly understood in the black and white tabloid-reality of the world. I am compelled to write this hard way, Action with metaphysical undertones and overtones. It’s not a job for the faint-hearted. It’s a moral compulsion. It’s what I do. Also I love every minute of it. When I publish a book, I publish with great regret that I will no longer be spending time with my characters taking on the bad guys in very spiritually thoughtful ways. Michael Carradine’s ‘Cain’ in the old TV drama ‘Kung Fu’ comes to mind. But let that be for another time.
I heard the hush of an icy Sierra Nevada mountain creek rushing down from one of the high places; I smelled the powder sugar breath of Ponderosa pine. Something magical happened. Instantly I was transported back to the greatest of all times in history, the California Gold Rush. I was born in 1949, a hundred years too late. But I felt like I was one of them, the gold seekers, the gold hunters. I could see them so clearly.
Hungry, desperate men coming by land and sea from all around the world: German, Spanish, Chinese, French, Portuguese—all these and many more—coming from all around the globe. Never before or since was there such a rush of men, all believing in the power of gold: You get rich just by moving a few shovelfuls of dirt! History has proven again and again: Men hungry and wild with gold fever are the most driven men on earth. I can see them now.
When I walk through silver valleys sliced by flashing streams, in my imagination, I see their camps, I see the men. Wood smoke rises from a dozen shanty cabins; the men say very little as they strain and grunt and swear, knocking rocks together as they move them across boulder-filled streams so they can get deeper into the rushing river. Gold treasure is buried somewhere under these cold streams in underwater vaults and these men will not stop until they get rich, or die.
You haven’t seen men like these before. They are not particularly big men. Their muscles are hard as the rocks they move. Mostly they are thin and hungry-looking because they haven’t had enough to eat in months. They are very hungry all the time. Day’s spent in the river hunting gold leaves little time for hunting food. But one good gold strike will solve all their troubles. That’s what they believe.
Of course, they were deluded. Those who survive will work as laborers in lumber camps, farming, or simply go back home, broke, but filled with stories of their greatest adventure. Hopefully they discovered their own families were their greatest wealth and happiness. That’s how I write it.
I write about these men because I can still see them and hear them, and I must do my writer’s best to portray them and give them a voice. It was the greatest time to be alive—the California Gold Rush.
While in New York City, I recorded a video about the creation of The Gold Hunter. Please view the video and tell me what you think.
I started writing stories at a pretty early age, 9 years old. My first story was about a caveman named Uk and his wife Og seeing their first total eclipse of the sun. I remember both of them were terrified, but Uk somehow becomes a hero to his wife. I think he told her not to worry, the sun would return from the mouth of the beast. The last words of the story were from Og: “Oh, Uk!” Not exactly a brilliant display of early talent. I was in the fifth grade, my teacher put in the comments on my report card that “Philip gazes out the window a lot.” That was probably pretty accurate, but not a bad thing in my humble opinion. Then I won the eighth grade spelling contest against the smartest girl in the class—and I was off to the races. From there, I bought a little locked-key diary so it forced me to make an entry on a daily basis and it seemed important to me not to leave a day blank. It still seems important not to have blank days.
That was long ago and what I have really learned is that you don’t know what you’ll write until you sit down and write. Which is another way of saying: You don’t know what’s inside you until you write it, until you face the holy of holies: The Blank Page.
I certainly didn’t know I would write a novel about a 17-year-old boy who would find the greatest source of gold in the California Gold Rush. I didn’t know I would write about the falling of giant trees, the great Redwoods and what it took to bring a big one down. Or that I would be researching the Paiute Indians of Pyramid Lake. Or that I would revisit three horrific battles of the Civil War: Stones River; Chickamauga; Missionary Ridge. I never would have known if I hadn’t sat down to write.
I believe all of these things were inside of me like seeds that just needed to grow under the sunlight of a writer’s attention and love. Yes, I do love what I write about. Stephen King calls it the workings of “the boys in the boiler room” Yes, the subconscious mind.
People say, “What should I write about?” For the sake of discussion, let’s just say your heart is an amazingly powerful magnet (I believe it is) and is magnetically drawn and turns just like a compass towards what it loves. When you start feeling drawn to something, someplace, or event, and most particularly, a certain time and place, there you will find what you will write about. There is your goldmine, your jackpot, your motherlode. You’ll be drawn to it just like magic, just like a magnet. There you will find your joy. Follow your bliss. Don’t ever bother with the Million Dollar Lotto. That’s bogus. Your heart’s joy is not there. But that’s for another discussion.
By the way, I didn’t know I was going to write any of this until I sat down to write. Goodbye for now.